obert Z'Dar is one of the most recognized faces in the entertainment industry. He portrayed the enraged convict in Tango & Cash, co-starring opposite Sylvester Stallone and Kurt Russell and the enforcer in the gangster flick Mobsters with Anthony Quinn, Christian Slater, and F. Murry Abraham.

And although we loved both of those films (Teri Hatcher...what's not to love!), we can't help but admit our favorite role of his is as the crazed killer-cop Matt Cordell in the hit cult video series Maniac Cop I, II, and III.

We recently tracked down Robert's official website at www.zdar.com and begun badgering the hell out of the site's webmaster Randy. Nah, not really. We asked Randy if Robert would have a little time for an interview and he very coolly set it up. A boatload of thanks to Robert and Randy for taking time out for us.

On with the interview...and if you spot some flashing blue lights behind you one night when you're out for a late night drive, don't worry, it's nothing to worry about...well, probably not.

Question: Can you tell us about the project you're working on now?

Z'DAR: Presently I'm working on several projects with a new company. I'm working as both a producer and actor in many respects. The projects include an animated children's adventure, a horror film, and a couple of independent films on the side.

When can we look for it?

Z'DAR: As you know, it takes about a year for any project to see it's release. So, do the math (at least a year).

How did you get started in acting? Is it something you always knew you wanted to do?

Z'DAR: Performing...no, just kidding. I started out doing theater work in High School, then gained my BFA from Arizona State. After a short stint as a Chip n' Dales dancer I began working in film.

Pt-2-No, I always wanted to be an undercover drug cop-oh, wait, that is my career, acting is my cover...don't print that...I'm not a cop...really...lighten up...jeez. I AM NOT A COP, I JUST WANT TO BE ONE, or a fireman...or an undercover drug fireman...or a fireman under the covers with a bag of drugs and a sexy undercover policewoman with an open mind.

After reading over your entire body of work, we think you're the hardest workingman in movies! How hard is it to keep up that sort of schedule?

Z'DAR: I go to work everyday, just like everyone else...and I do bring my Josie and the Pussycats lunch box with me. Just in case.

Method acting - real deal or real bull?

Z'DAR: The method is a technique. Techniquesare used to solve problems, not create them. If the method is appropriate, I use it. If not, I'll use something that actually works.

Who have been some of the more memorable directors you've worked with? Good, bad or just plain evil.

Z'DAR: The bad and the plain evil, must remain nameless, less I lower myself to their level. I can only say to those aspiring artists that might cross there paths that your best defense is to do your homework and check up on your potential employers.

As for good directors, there have been many, some of my favorites include; Michael Karbelnikoff, Andrei Konchalovsky [ed note: Konchalovsky directed Tango & Cash and Karbelnikoff directed Mobsters.]

Horror movies, like those of the good ol' days, look like they might be making a comeback with the popularity of some recent films like Jeepers Creepers, Ginger Snaps, Session 9, etc. Does is seem that way from an actor's perspective?

Z'DAR: I'm getting ready to produce one now...So, yes.

What's the best memory you have from working on a film?

Z'DAR: The Beastmaster II birthday party they threw for me on the set at night in Lake Powell Arizona.

Any not so great memories?

Z'DAR: See answer above regarding evil and bad directors.

I read you're a great supporter of young filmmakers. In a recent interview Bert Barkely said that while you were working on Mob Daze, you also very generously contacted Joe Estevez. Joe said, "Bobby called and said, 'These kids in Kansas don't have much money, but they do have a great script and a unique way of looking at film. Bobby's seal of approval was all I needed.'" What's the draw to help these guys out?

Z'DAR: They were nice kids wanting to learn their craft. They needed guidance and help, anf n arts instructor I felt it was my obligation to mentor them to the best of my ability in the time allotted.

What's more fun - portraying the bad guy or good guy?

Z'DAR: They are all good guys, depending on your perspective. In my mind the "bad" guys were just victims of unforeseen, and uncontrollable circumstances and to judge them is prejudicial and quite rude.

What's coming up next for you?

Z'DAR: I've answered that before, are you trying to make me slip up...I already said I'm not a cop, why are you so damn persistent.

Um, Ok Mr. Z'Dar, you're not a cop. Backing away slowly, we want to thank Mr. Z'Dar for his time and for not arresting us.